Tag Archives: Editors

The Kind of Writers’ Conference I’ll Pay For!

What’s not to like about writers’ conferences? They offer terrific opportunities to learn about the craft of writing and the business of publishing from people who know what they’re talking about (as opposed to the neighbor who figures your book can’t be any good since Barnes and Noble didn’t display it on that table right inside the front door).

Of course, there’s the expense. A conference means registration, travel expenses, motels, and sometimes meals (and in my case, board for a rather large dog).

For some, the workshops and lectures and a chance to get autographs on mint copies of presenters’ books may justify those costs.

But if you’re interested in becoming traditionally published, it’s worth stretching your budget for a good conference. A well-chosen conference can give most of us developing writers what no cold query can:

  • A chance to sell ourselves and our work face-to-face, where we can slip a memorable impression into a busy agent’s or editor’s mind.
  • A block of time all our own, instead of the few seconds a hurried intern can spare for that laboriously written letter.
  • A hard-nosed reaction from a publishing professional unfettered by the need to make the writer feel good.

If, like me, those perks are the ones you want from a conference, here are the top five things I look for before I send in my registration form.

1) Location

I don’t want this to come first, but for many of us, it has to. The good news is, you probably don’t have to travel a thousand miles to find a good conference. In the past two years, I’ve attended two within a two-hour drive of my home. Search online, read writing blogs, and network with writers’ groups in your area to get on email lists. Conferences within your range and budget will turn up.

Of course, if you DO travel a thousand miles, make sure it’s someplace fun, since you can deduct the expenses from your taxes if you can show you’re really writing to sell.

2) Pitch sessions*

The right kind of conference for this stage in your writing must offer a chance to meet face-to-face with agents and editors. Most conferences charge a moderate fee for these sessions, but that ten minutes will garner a lot more attention to your work than the dozens of hours you spent honing a query letter that may never get read.

Many conferences offer “pitch practice,” usually also for a fee. Some will allow you to send in a written version of your pitch to be critiqued. Take advantage of these opportunities if possible. With luck, you’ll get voluminous and often painfully honest comments that will propel you into feverish revision the night or morning before your pitch. But that’s the point, isn’t it—to move you to a new level? You’ll get there faster with a push.

3) A chance to submit actual pages for critique

You really have one immediate goal as a writer seeking publication: to be read. Maybe once in a while your query letter elicits a request for pages, but the ultimate response, more often than not, will be “We’re not the right agency for this book.” No reasons. No chance to ask for reasons. (Okay, maybe it will be different for you.)

But at a good conference, you can submit part of your work and then meet with your critiquer to follow up on what worked and what didn’t. Good conferences will assign real agents and editors, empowered to ask for more, to this task.

Yes, you’ll pay extra. And no, your readers might not agree in their assessments, leaving you confused and frustrated, just like your critique group at home. But you’ll hear truths that no warm-hearted “supportive” writers’ group friend will ever tell you! Put on your thickest skin and sign up for as many of these critiques as you can.

4) A range of agents and editors

Conferences will publish the credentials of their faculties beforehand. Follow up on agents’ and editors’ web pages. Go to Amazon and read the first pages of books they have handled. Be sure that at least two or more of the people you can pitch or submit to like the kind of thing you write.

5) Opportunities to socialize with the conference faculty

Some of us are really good at button-holing people we hope to impress. I’m terrible at it. Still, I’d like the chance! A good conference will require its faculty to show up for receptions and banquets. Show up yourself, this time in your bravest skin. You may find that the agent who sorta-kinda-seemed-to-like your pages is also a fan of that obscure Korean horror director you adore. When you send your follow-up query letter, he’ll remember that long chat you shared over wine.

You can’t always tell ahead of time whether this criterion will be met. If it isn’t, make a note for the future, and by all means, include your disappointment on your evaluation form.

It Worked for Me!

I met the agents who sold my first books through the conference process, and since my return to writing after a hiatus, I’ve received far more requests for partials from conference pitches than from written queries. And I’m not even very good at the conference process! But conferences provide me with the best chance to see how people who actually make buying decisions react to what I’m doing.

So once you and your writers’ groups have tweaked your manuscript as much as humanly possible and once you think you’ve done what all those books you’ve read say you should, pick a good conference to see what you’ve achieved.

*A “pitch session” doesn’t call for a synopsis or an elevator pitch. It’s a five-to-ten minute talk (usually breathless on my part) whose sole purpose is to tell the agent or editor what your book is about. The conference will specify how long you have. Maybe you’ll have time to throw in the extras from your full query; maybe not. The hook is what counts. Before you plan yours, search online—advice and examples abound. And if pre-conference pitch critiques or on-site practice is offered, sign up.

What about your experience with conferences! Share!

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Filed under business of writing, Finding agents, looking for editors, novels, Publishing, Writers' conferences, Writers' groups, Writing

What To Do If an Agent or Editor Wants Your Stuff!

When lightning strikes an author!Here’s a comprehensive, helpful post from Publishing Crawl about that fateful moment when lightning strikes! You open your inbox to find a message from an agent or editor who wants your work. Lots of good advice here!

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Filed under Finding agents, looking for editors, novels, Publishing, Working with editors, Writing

Why I don’t use Beta Readers #WriterWednesday #AmWriting

Here’s a post that challenges received wisdom on beta readers from D. E. Haggerty. What do you think?

D.E. Haggerty

As many of you know, I’ve just finished the draft of my latest novel (insert shameless plug for new novel here). Now that the manuscript is off to the editor, it should be time to send the ARC to beta readers. Notice me rushing off to do that? No? That’s because I no longer use beta readers. Oh, the shame! Who the hell do I think I am not using beta readers?!?

I could go into a long background story of all the mistakes I’ve made with beta readers and even the heartbreaking story of losing a good friend over it all, but I’m just going to get to the heart of the matter.

Beta Reader _1

Reasons I don’t use Beta Readers:

Timing. In order to plan my book marketing properly, there is a two-month gap between the time I finish the novel and it goes to the editor…

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Filed under Editing, looking for editors, Myths and Truths, novels, Plot Development, Writers' groups, Writing

Aliens and guillotines- 6 reasons to break the editing rules

Here’s a great piece from Sue Vincent that echoes what I’ve often thought about those mechanical editing programs that try to lure us into their World of Rules.

I will add to this: The darn programs are all too often just plain wrong! Can’t tell you how many sentences Word’s editor labeled fragments, and how many actual fragments it missed! And any time a mechanical “editor” gives you a piece of advice about punctuation, check the editor’s rule against at least a couple of standard handbooks before kowtowing to some dictator’s orders.

I can’t say enough for real readers. Okay, so they, too, are sometimes “wrong.” Or wrong-headed. But a) they can and usually do explain why they reacted a certain way to something you wrote, and b) they respond to the very things the robots and aliens discussed in this article glide right past—the emotion, the rhythm, the energy, the joy.

Don’t pore over some grammar or editing site. Join a writers’ group!

Sue Vincent's Daily Echo

From the archives – May 2015:

sheffield book weekend 468

I was curious. Being a writer, I keep seeing articles about the editing software available online to help writers and, over coffee, I thought I would have a quick look. I browsed a number of them, duly pasting a chunk of text into their little blank boxes to see what they had to offer.

After five minutes, my blood was boiling.

Writers, it seems, are being encouraged to use these programmes. Not, as I mistakenly supposed, in order to check their grammar, spelling and punctuation… say, as an extension to spellcheck or as a different perspective on work we are too fond of, and too involved with, to see clearly. No. We are being encouraged to use them in order to erase our personal voice.

Okay, I know… that probably isn’t entirely fair.

There are those who swear by their usefulness, though these, I…

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Filed under correct grammar, Editing, grammar, grammar rules, indie publishing, Learning to write, Myths and Truths, punctuation, self editing, Self-publishing, style, Writers' groups, Writing

What To Do When You Sit Down To Pitch Your Novel In-Person

Good practical (and empathetic) advice on pitching from agent Carly Watters! I’ve had good luck recently from listing about eight plot points to keep me on track. No one seems to mind if I use a page of notes. What about you? What techniques do you use to make your pitch sessions work?

Carly Watters, Literary Agent Blog

After attending conferences around North America for the past 6 years I’ve seen an array of pitching techniques. Some good. Some…not so good. I get it. It’s not easy to pitch your book (your creative project that’s been on your mind for months if not years) to someone sittingin front of you, especially when the stakes are so high for you personally.

Agents can sense thedetermination and fear in the room during pitch sessions. It’s honestly palpable and we can feel your energy.

I find pitch sessions draining and galvanizingat thesame time. Having a new project pitched to me every 7-10 minutes is a lot to wrap my head around and sometimes they bleed into one another. And depending on how conference organizers set things up I could be sitting there for up to 2 hours at a time.

When you sit down:

Relax. Then tell me why you’re sitting…

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Filed under Finding agents, looking for editors, novels, Working with editors, Writers' conferences, Writing

Another Good Article on Dialogue

From fellow writer alfageeek, here’s a link to a Scribophile piece on dialogue that provides some excellent elaboration on the piece I reblogged yesterday. Join in the discussion about “actions” as “dialogue tags.”

flipped comma1     !      Comma 1

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Are You a Romance Writer? Here’s Help!

Magic book

You might want to check out this list of 31 romance publishers who accept unagented work from Authors Publish!

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