Category Archives: publishing contracts

How to Evaluate Small Publishers—Plus Digital-Only Presses and Hybrids – by Jane Friedman…

Thanks to Chris the Story Reading Ape for making this terrific Jane Friedman article available! I’m closing in on the decision as to whether to self-publish or go the traditional route with a small press, so this article is a godsend!

Chris The Story Reading Ape's Blog

In my annual chart,The Key Book Publishing Paths, there is one column that is most vexing and problematic for writers to navigate: small publishers.

Into this category falls some of the most prestigious publishers you can imagine, that can boast of New York Times bestsellers, and that writers dream of working with.

But it also includes publishers that started up last year out of someone’s home office, run by people who may not know anything more about the publishing industry than you do.

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Copyright: What’s the Big Deal?— By Julie Barlow

Though it’s about Canada, Barlow touches on an issue that affects us all. She writes, “When I Google my own work, I discover so many sites offering free (i.e., illegal) PDFs of my books that I can’t keep track of them anymore. And neither can my publisher.” I basically gave up trying to address this problem. Maybe it’s up to readers not to buy from these sites? As Barlow writes, we all fall prey to the idea that if it’s available online, it ought to be free. American copyright law doesn’t address this problem, either, and, as is often the case, the Canadian example can be instructive.

So how to spread the word among readers? What do you think?

QWF Writes

The Federal government is in the process of revising the Copyright Act. If you don’t think that matters to writers, think again.

I’m always surprised to see blank stares on writers’ faces when I launch into a speech about copyright. Some of them aren’t clear why copyright really matters. Others aren’t sure what copyright even is. Fair enough—it’s not the sexiest topic in the writing world. But even if you don’t notice it, it’s fundamental to our business.

Here’s why. I am a non-fiction author of six books and a magazine writer. To earn my living I sell the right to use my work, either to publishers who pay me advances and royalties or to magazines who pay me fees to publish my articles. For most of my twenty-five-year career, this revenue has constituted most of my income.

Simply put, copyright law is what makes it possible for me to…

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Small Publishers – A Checklist #wwwblogs #amwriting

What would you add to this thoughtful post from Alison Williams Writing? Have your experiences with small publishers been good or bad? Are indie writers better off self-publishing? What do you think?

Alison Williams Writing

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I recently wrote a bit of a rant about the quality control of some small presses whose books I had read. You can read it here.

If you are thinking of signing with a small publisher, then do bear a few things in mind.

  • Do your homework – start off by Googling the publisher. You might find threads on writing sites that go into a great deal of detail about your chosen publisher. Read them – they can be incredibly enlightening.
  • Ask questions – if your publisher is honest and genuinely wants the best for you, they should accept that you have a right to want to know about them. After all, you are placing your book and all the blood, sweat and tears that went into writing it in their hands.

Ask:

  • Who are they?
  • How long have they been publishing?
  • What exactly is their background and experience?…

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Amazon’s “Gray” Book Market Explained

Is Amazon's third-party-seller system robbing authors?

Is Amazon’s third-party-seller system robbing authors?

Today’s New York Times reports on the change in Amazon’s book-selling practices that allows third-party sellers to sell as “new” books they’ve acquired from remainder stocks or book reviewers as well as other sources. Authors won’t receive royalties on these sales, just as they would not from sales in used-book stores.

I’m posting this because I saw this issue flair up only briefly in a couple of the blogs I follow, and I thought it might be of interest to more writers.

The comments (at this writing there weren’t very many) challenge some of the assumptions and premises in the article. A recurring theme seemed to be that the publishing industry could do a better job of rewarding authors out front so that they were paid for their work regardless. Another is that as publishers buy into the print-on-demand trend, this form of supposed piracy will diminish.

There’s no discussion in the article of indie publishing. The focus is on hard-cover “new” books that would ordinarily provide royalties to the writers.

What about it? Is this a non-issue for you? Is it an issue only for writers aspiring to be traditionally published? I found myself wanting to comment that this article and Amazon’s policy is an argument for becoming one’s own publisher, in wh

ich case no book leaves “the store” unless the author has been paid for it. What do you think?

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Lies told by Small Presses

Some good warnings to take to heart!

I have a couple of things to add. Unless the market has changed drastically, having a good agent and getting an advance is unlikely to guarantee your book visibility or even entry into mainstream bookstores. I was paid $5000 by St. Martin’s in 1983; even though King of the Roses got superb reviews (check them out in the Amazon preview), the book never made it into any of the many stores, local or national, that existed at the time (before Amazon). I was told St. Martin’s would have had to commit to a massive advertising budget before any of the stores would find spine-out space for my book, let alone any kind of display or prominent position. (This despite the fact that my mother wrote many angry letters to bookstores demanding that they put my book on a stand in the doorway!) St. Martin’s did minimal advertising, but did make sure reviewers got copies and paid attention to them, which is a big deal, and something that will be hard for us to do for ourselves.

It’s my understanding (possibly erroneous?) that publishers’ budgets are even tighter today than they were in 1983. So true traditional publishing by one of the major houses doesn’t mean authors don’t still have work to do to get their books out there. But articles like this help us avoid pitfalls that will make our efforts go for naught!

Steven Capps

Like many of my posts, this stems from something I saw in an online writer’s group. Essentially, someone who has been traditionally published from a small press was putting down people who self-publish. Personally, I have my own problems with self-publishing that I discuss in my “Why I’ll Never Self-Publish” post, but that is besides the point. At this point, I’d like to formally begin my rant against small presses.

In my opinion, traditional publishing is best done through an agent and then with a professionally recognized publisher. Small presses, unless they are recongized by writing organizations like Codex or SFWA, often give little more than what someone can do through self-publishing but will suck away 40-60% of the author’s share of royalties and then use self-publishing tools (like Createspace) to produce the book. Small Presses get away with this by telling authors lies in order to get them to sign…

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Avoid Writing Contest Scams!

Beware of writing contest scams!Writer Unboxed (via, as so often, Chris the Story Reading Ape) is hitting  on all cylinders these days. Here’s an extremely useful post detailing how to assess a publishing contest BEFORE you enter! Thanks to Susan Spann for this excellent list. Read the comments, too.

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Author Beware … Publishing Predators Are Breeding…

Thanks, Chris, for another important article. Here is my comment on this article at The Book Shepherd:
I’m amazed that so many people will pay these sums to be published when CreateSpace will do it for free. All you need is a Word file and a cover. Sorry, my CreateSpace book looks just fine. I suppose there are genius cover designers out there who could have done a better cover than DigitalDonna.com did for me, but I’d be surprised to discover them at a reasonable cost.

I went with Ingram first; again, nothing wrong with the 22 books I purchased at cost ($168). At Ingram, you will pay $49 for publication, and you must, indeed should, buy your own ISBN, since if you choose CreateSpace first, they will own the ISBN. Three hundred dollars for 10 ISBNs you can use for your entire series is a lot less than the numbers being discussed in these comments.

I formatted my own interior, which cost me $20 a month for my subscription to Adobe InDesign. On my blog [this blog!], I’m doing a series on how I conquered InDesign.

Believe me, it’s not that hard.

I hope writers will use the funds they are paying for these services to find good professional editors and cover designers. And I second Judith’s point that being traditionally published does NOT mean that you will get stellar marketing. In the end, you will do that for yourself. Why not do it all?

(And I second a comment that recommended Smashwords. Not only will Mark Coker walk you through the ebook-creation process, he will publish your ebook absolutely free!)

What about you? Do you have any tales to tell about your publishing adventures? Help us all “beware.”

Chris The Story Reading Ape's Blog

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Article extract from Judith Briles on The Book Shepherd site:

Oh, what a tangled web they weave … publishing predators are breeding with the surge of authors now by-passing traditional publishing. Over half of books published today are by the self and indie publishers. Traditional publishers are taking notice and are now gearing up to offer their own “self-publishing” opportunities. Some, like Simon & Schuster, Hay House and Penguin, have had a “vanity press” relationship for years in place via Author Solutions (ASI). Expect to see all of this push into a higher gear–after all … there is money in wannabe author’s pockets.

It’s a never-ending story … the emails, phone calls, postings within the Author U Group on LinkedIn and my personal group on Facebook: Publishing with The Book Shepherd (join it) … and I’ve worked with several private clients and fielded numerous phone calls/emails from authors who have…

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