Here’s a post that challenges received wisdom on beta readers from D. E. Haggerty. What do you think?
As many of you know, I’ve just finished the draft of my latest novel (insert shameless plug for new novel here). Now that the manuscript is off to the editor, it should be time to send the ARC to beta readers. Notice me rushing off to do that? No? That’s because I no longer use beta readers. Oh, the shame! Who the hell do I think I am not using beta readers?!?
I could go into a long background story of all the mistakes I’ve made with beta readers and even the heartbreaking story of losing a good friend over it all, but I’m just going to get to the heart of the matter.
Reasons I don’t use Beta Readers:
Timing. In order to plan my book marketing properly, there is a two-month gap between the time I finish the novel and it goes to the editor…
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What would you add to this thoughtful post from Alison Williams Writing? Have your experiences with small publishers been good or bad? Are indie writers better off self-publishing? What do you think?
Alison Williams Writing
I recently wrote a bit of a rant about the quality control of some small presses whose books I had read. You can read it here.
If you are thinking of signing with a small publisher, then do bear a few things in mind.
- Do your homework – start off by Googling the publisher. You might find threads on writing sites that go into a great deal of detail about your chosen publisher. Read them – they can be incredibly enlightening.
- Ask questions – if your publisher is honest and genuinely wants the best for you, they should accept that you have a right to want to know about them. After all, you are placing your book and all the blood, sweat and tears that went into writing it in their hands.
- Who are they?
- How long have they been publishing?
- What exactly is their background and experience?…
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Filed under business of writing, ebooks, Editing, indie publishing, looking for editors, Marketing books, Money!, Myths and Truths, novels, Publishing, publishing contracts, Scams, Self-publishing, small presses, Working with editors, Writing
Here’s another good one from over at Writer Unboxed: Louie Cronin, Cronin the Barbarian of Car Talk fame, explains why she became an expert in rejecting submissions—and what her experience means for writers. If you are a Car Talk fan, you’ll get an extra kick out of this! Have you ever thought of rejection this way?
Good practical (and empathetic) advice on pitching from agent Carly Watters! I’ve had good luck recently from listing about eight plot points to keep me on track. No one seems to mind if I use a page of notes. What about you? What techniques do you use to make your pitch sessions work?
Carly Watters, Literary Agent Blog
After attending conferences around North America for the past 6 years I’ve seen an array of pitching techniques. Some good. Some…not so good. I get it. It’s not easy to pitch your book (your creative project that’s been on your mind for months if not years) to someone sittingin front of you, especially when the stakes are so high for you personally.
Agents can sense thedetermination and fear in the room during pitch sessions. It’s honestly palpable and we can feel your energy.
I find pitch sessions draining and galvanizingat thesame time. Having a new project pitched to me every 7-10 minutes is a lot to wrap my head around and sometimes they bleed into one another. And depending on how conference organizers set things up I could be sitting there for up to 2 hours at a time.
When you sit down:
Relax. Then tell me why you’re sitting…
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You might want to check out this list of 31 romance publishers who accept unagented work from Authors Publish!
Something here for every aspiring writer! Strauss is one of the best resources around! Info on contracts, social media, marketing, promotion—check it out!
Filed under blogging, business of writing, ebooks, Finding agents, indie publishing, Learning to write, looking for editors, Money!, Myths and Truths, novels, Publishing, publishing contracts, reversion of rights clauses, Self-publishing, Writing
An earlier version of my post incorrectly stated that Chuck Sambuchino was in charge of this one-day workshop in Indianapolis on Oct. 24. In fact, he was subbing for another volunteer. The workshop was actually coordinated by Jessica Bell, of Writing Day Workshops. I thought folks might appreciate learning about this organization, if they aren’t already familiar with it. It hosts a range of workshops at different locations around the country, and will definitely be on my list of possible conference options.