This article provides excellent, detailed discussion. In critique groups I’ve been enrolled in, some critiquers seem terrified of the progressive tenses, and some believe that using a present-participle phrase as a modifier constitutes “mixing tenses” and therefore incorrect. The article is on point that glomming onto such rigid rules limits writers’ options for rhythm and meaning.
And the discussion here of dangling modifiers should be required reading for all aspiring writers. i see so many of these. Otherwise competent writers seem oblivious to them. The examples here precisely mirror what I see. Here’s my rant on dangling modifiers.
I think writers need to READ, widely, and not just the latest free examples of their favorite genre, to see how good writers make use of many available strategies and apply rules thoughtfully rather than blindly.
If you’ve ever been told to cut “-ing” words, take the time to read this!
I wish there was a magic wand I could wave to correct my grammar as I continue editing my novel. How about you? Read this comprehensive article about editing and how to fix some of your mistakes. This is a MUST-READ! ❤
There’s a lot of conflicting advice that tells writers to never use words that end in -ing or to not use -ing words under certain conditions. Explore both the advice and the rationale behind it.